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78. REVISITED: The force that through the green fuse drives the flower by Dylan Thomas - A Friend to Angela

The Poetry Exchange

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I Don't Want to Tell the Hanging Man How of My Clay Is Made the Hangman's Lime

I was very struck when you spoke initially you weren't just talking about reading it loud you were talking about walking and reading it aloud. You know that is full engagement of the full body and the breath with the utterance of the thing. It seems inevitable therefore that you would end up needing to perform almost in order to kind of have that connection of body to emitting of poem. Yeah I'm in quite often I'll act out to some extent my poems as well. But that makes sense that you would you know this interest in the poem allowed and the speaking and the embodying.

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