Are Mass Protests Useful as Release Valves?

Michael Townsend and director Jeremy Workman tell the wild true story of an eight-artist collective that built a hidden home inside Providence Place Mall—part prank, part art project, and a pointed reply to gentrification. They revisit grainy 2003–07 footage, a tape-art 9/11 memorial, and the logistics (and ethics) of living behind a cinderblock wall in America's retail cathedral. Plus: a look at Christine Lagarde's plan to collateralize frozen Russian assets for a Ukraine loan—and why that's diplomacy by euphemism. Also: "No Kings" rallies, protest as pressure valve, and the politics of bounce houses versus Red Scare rhetoric.

Produced by Corey Wara

Production Coordinator Ashley Khan

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