Triumph of the Will

I think I like that as like the spectacle is the way to, okay, especially bringing it to ritual. It's all, you know, as you, as you were explaining it, it really does remind me of, um, start and seriality,. Right? And so then you'd have to read so that I guess the question now becomes the obvious one is how do you read Triumph of the Will, right? Like in these terms, because I think that's a film that Ben Yamin, what was he thinking about it or not? What's, what your thoughts on Riefenstahl’s work?