Composer Nicholas Britell on The Music Of Moonlight, 12 Years A Slave & Vangelis
Soundtracking with Edith Bowman
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Chopped and Screwed Live and It Makes It Even Harder for You to Do Live
Barry: When you slow a track down in chopped and screwed music the pitch goes down. just bend the audio And one of the things that Barry loves in particular about chopped and screwed is when we did this to some of the classical instruments First of all you get sonic ranges like it's a lower sub range so you can turn cellos into these really bassy things The bass is play really low so you get this rumble which you know classical music doesn't know Yeah, and we love that sound Like in the end credits suite there's a piece that I wrote there which has the version of the music live Then while it's playing there's an exact duplicate of the track screwed down really
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