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117 - The Choirboys / Hennessy / Amphibian Man
The Video Archives Podcast with Quentin Tarantino & Roger Avary
I Am Cuba in That the Man Shaped Door
One thing that you guys might not have seen because of the transfer is that when they change from scene to scene, more towards the later, like the end of the movie, it fades to red. I thought it was really cool. The crew on that film felt like, you know, what do you want to do? Anything is possible. They are not comparable to the Soviet science fiction classics because they're just dealing on a different level.
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