The Metronome and Beethoven's Music Theory

There are few musical moments more well-worn than the first four notes of Beethoven's Fifth Symphony. But in this short, we find out that Beethoven might have made a last-ditch effort to keep his music from ever feeling familiar, to keep pushing his listeners to a kind of psychological limit.

Big thanks to the folks at Brooklyn Philharmonic: Conductor Alan Pierson, Deborah Buck and Suzy Perelman on violin, Arash Amini on cello, and Ah Ling Neu on viola.

And check out The First Four Notes, Matthew Guerrieri's book on Beethoven's Fifth.

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