The Trawler on the Trawler Is a Twilight Midnight Blue Sequence

Lienus doesn't like shooting night at night he likes to shoot night when there's still a little bit of information in the sky. When we did the aerial unit of the airplane as well instead of shooting night you know at black night that whole cuba sequence is actually sort of twilight midnight blue not having to do post-production skies. The final sequence in the third act in the on the island one of the inspirations for the journey from Bonn and Nomi was just driven by like Venus and his gaffer playing around these lights.