28 | Getting Perspective: Taking The 30,000 Foot View Of Your Writing
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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How to Create Flow and Analysis in Rewriting
Sally Kohn: The notes part of our brain and the generative creative part of ourbrain are different. She says that when we're going back into our work with notes, we don't need to necessarily feel the obligation or the chore element of the shoulds. "I think I learned this at Pixar really, you immediately start generating what ifs," she says. 'You have to open it up so the river can flow'
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