The fans are entirely aware that they are in something that is never going to be reciprocated, but that doesn't actually take it away from. Those emotions can go wrong, can't they? You cite the social psychologist, Henri Tifel, who showed that out-group discrimination could be decided by something as arbitrary as the toss of a coin. If you tossed a coin and said, well, your heads and your tails, the heads would start to discriminate against the tails almost immediately. But among fan groups, I mean, fandoms appear to be spectacularly joyous places. That's not always the case.
What to do with the art of monstrous men? That’s the question Claire Dederer grapples with in Monsters: A Fan’s Dilemma. She wonders whether she can or should continue to love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? And if it’s possible to divorce the art from the artist.
How do we now view the glorious, technicolour paintings of Paul Gauguin’s works from Tahiti? The writer Devika Ponnambalam has imagined the life of one of his muses Teha’amana in her latest novel, I Am Not Your Eve. Gauguin was 43 when he first arrived on the island in 1891 and made numerous teenage girls his ‘unofficial wives’.
The science writer Michael Bond is interested in the psychology behind fandom. In his book Fans he looks at the pleasure of tribalism and sense of belonging, but also what happens when one’s hero falls short, and the cognitive dissonance needed to continue to stay true to a monstrous genius.
Producer: Katy Hickman