The Making of a Documentary

I got offered to do a documentary with an old college pal who I'd met in Dunleary, Ken Wardrup and so it was both myself and Michael Laval was another DP. Both of us were going to code DP this documentary, which is like, yeah, it's probably when I think back on the system of how we worked together,. Like one week I was lighting then he was operating and then we switched it around and there was never another film. It looked like a wonderful film to play with composition. Bizarrely everybody's house seemed to kind of all match like in these kind of whole array of pastels. Yeah, it was like it was coordinated in some way