Kirchhoff's Antigonet

Kirchhoff's point is that this situation is no longer properly tragic, in a similar way that Abraham also for Kirchhoff's not a tragic figure. The conflict he claims is now entirely internalized. In contrast to some of his antigonet, who acts, burns her brother and thus actively assumes her pain, Kirchoff's antigon is unable to act, condemned to forever to impasses her death. She will not go on with his mental experiment and imagine a postmodern antigonet which of course I cannot state my nature, a stallion is a issue. So again, I wouldn't try to imagine you got it, the stallion is riled against