Mark Mangini - Sound Designer
Team Deakins
00:00
The Sound of the Way Back
i wanted to ask you about the vaskerball scene, cause that was because i was trying to look at it from a sound point of view. The tradition of sound capture on a set is a boom pole with a minoral microphone, a shotgun microphone, capturing the voice. We don't want to dispense with that - we hear in 360 degrees. So when we get into post, i take the bomelav, put it in the centre channel, as we always do in the actors sound terrific. But then we augment that with the actual sound of what they were in the middle of on the day during the shoot. And it brings a verisimilitude that you can
Play episode from 33:47
Transcript
