
140 | Writing/Producing Audio Dramas (And Avoiding Gatekeepers) w/ Susan Busa Leshner
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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How to Write a Prose Story
I outlined every every scene every episode and then I re outlined it in sequences And then I would write the draft and then I would go back to the outline to see if it worked Or then I would just outline certain sections that didn't feel really worked. So it was back and forth between that and then My son has an actor and my my business partner so we all sit down and talk through the episode. Jack my son is very experienced and you know Because he's a he's a trained actor in the what's on the page and all of that But my producer really is not so I had both of those Points of view that were really it's really helpful to get somebody who isn't
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