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Vivian Hornik Weilerstein: On Listening, Leading, and Learning How to Be More in Sync With Your Music-Making Partners.

The Bulletproof Musician

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The Inner Rhythm of the Eighth Notes

The character of the innerhythm is something that you want to be thinking about all the time. And, like i said, also reflecting it in whoever has the main line. Sometimes when i'm coaching chamber music, i see that a string player may have no idea that a pianist has just gone from eight into triplets. How does that make it feel? If one's awareness goes to that, and the string player reflects the triplets, it's another world of music making.

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