This chapter delves into the origins of a punk song from the late 70s and early 80s, exploring conflicting statements about its meaning and its connection to MK Ultra. It also discusses biomedical instrumentation projects in 1977 and unethical experiments using birds. The conversation expands to touch on sensory deprivation, psychedelic drugs, and the use of manipulative techniques in various fields like sales and psychology.
We discuss the broad course of 20th century scientific inquiry into the ability to control the Mind of Man, and how initial projects aimed at creating secret super assassins trickled down to manipulating people into buying running shoes and bad pop albums.