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Mark Lafleur Of Old Fast Glass Pt. 1: The Beauty of Vintage Glass

Cinematography Salon

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The Importance of Character in Optical Design

Film is literally moving at all times, even when it's stationary 24 frames per second. And so actually genuinely feel like I would argue if you talk to most engineers, character was probably very low on the priorities. We are with master primes, it was like what aberration is breathing? Let's eliminate focus breathing. Those lenses are super rectilinear,. Even the sleep and the really wide, they really nailed that. That issue. The pan, pan, pans, and primos are great. But then digital really did change all that.

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