I had to learn how to think spatially. That was the first challenge for me. And then I had to learn that it wasn't all long about directing the attention, but choreographing someone's attention and how I use all the different elements and senses that we have. You know, as we move into the future, you can no longer just say immersive. Everything has to be automatically immersive. We would do a motion capture,. scanning characters, all original wardrobe. It was just amazing to go that deep into the details because, you know, Time magazine, they're a journalistic business where everything has to be accurate to the detail of truth.

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