How to Study Masters
Draftsmen
00:00
How to Make a Great Work of Art
The bulk of the book is looking at masters and seeing how they do it. Once you learn how to use the instrument, you can see how many great masters have used this instrument in remarkable ways. Then you're given permission to find your own remarkable way to apply technique. For Pinnanink masters, golly, you've got Franklin Booth on one side who every line is like an engraving,. Heinrich Kly on the other, who as I think George Groves described him as flinging a lasso out to envelop the forms. They're crazy wild lines.
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