130 | Our Biggest Lessons From Being On Set (Part 1)
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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How to Be a Good Producer on Set
"It could have been worse. Give yourself a little bit of grace," she says. "Eyes on is a common one, right? Like someone will ask you, does anyone have eyes on the director or Jenny?" She adds: "I like to just use copy, which basically is the same thing I heard I understood the message."
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