4min chapter

#649: Rick Rubin, Legendary Producer — Timeless Methods for Unlocking Creativity, Secrets Hidden in Plain Sight, The Future with AI, Helpful Distractions, Working with Strong Personalities, Breaking Out of “The Sameness,” and More

The Tim Ferriss Show

notes

CHAPTER

Is There a Difference Between Good Distraction and Bad Distraction?

Nate: Is there a way to distinguish between good distraction and bad distraction so bad distraction might be commercial considerations that lead you to chase this hungry ghost in a way that completely impedes your creative process right. There are certain distractions we can do that make it easier, he says. He recalls working with Neil Diamond who was distracted enough by having to hold down the chord changes to sing just like himself.

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Transcript

Episode notes

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Rick Rubin (@RickRubin) is a nine-time GRAMMY-winning producer, one of Time magazine’s 100 most influential people in the world, and the most successful producer in any genre, according to Rolling Stone. He has collaborated with artists from Tom Petty to Adele, Johnny Cash to the Red Hot Chili Peppers, Beastie Boys to Slayer, Kanye West to the Strokes, and System of a Down to Jay-Z. You can find my 2015 interview with Rick at tim.blog/RickRubin.

His new book is THE CREATIVE ACT: A Way of Being.

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[00:00] Start

[06:28] Why Rick wrote The Creative Act.

[09:24] The Tao of Rick Rubin.

[12:16] Making the creative toolbox multi-purposeful.

[15:00] Collaborations: ensuring the best ideas prevail over egos.

[19:50] Creative revisions are experiments, not guaranteed improvements.

[26:44] Knowing when to be defined by or to deviate from an established genre.

[33:07] Why Rick resisted advice to make his first book an autobiography.

[37:10] Even a solo project is a collaboration.

[38:07] Noticing what nobody else sees.

[40:24] Being in the wonderful state “which makes art inevitable.”

[42:22] Craftsperson vs. artist.