Shooting on a Scout?

I like seeing a place early on and even if it's not used, I'll figure out a lighting plan and draw it all out. And then I'll talk to the gaffer and the key grip about the rigors about it. Production kind of even before you do the location scouting wants to know how much it's going to cost anyway. It's surprising how little people remember when you say on a scout. No, people never do remember that.