The New Yorker: Poetry cover image

Campbell McGrath Reads Czeslaw Milosz

The New Yorker: Poetry

CHAPTER

Exploring Maximalism and Cohesiveness in Poetry Collections

The chapter delves into the concept of maximalism in poetry and the importance of the book as a cohesive unit in the context of poetry collections. It reflects on the significance of poems versus the collective entity of a book, discussing the process of creating a new collection by selecting and rearranging previous works.

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