Episode 25: Composer Justin Hurwitz on La La Land, Whiplash And The Musicals Of Yesteryear
Soundtracking with Edith Bowman
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Damien's Blash
Damien had such a complete vision from the very beginning. I remember with Blash he was storyboarding every shot. He had a thousand pages of paper with these little frames that he was drawing with pencil and yeah just I mean he knew where the camera was going to be. For every beat of the music with Blash. Remember he was storyboard okay on this beat the camera is in front of the first trumpet now it tracks over to the fourth trumpet. On this beat we punch in on the saxes and we push in on the floor. Or whatever the shots were. And then he would take all the storyboards and he cut them to the music to the demos in the case
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