I often think about how move ment is like action and gesture and quality, and it's visceral experience. And i think that speaks to the heart. It's like the soul of things, and connects with people in a subconscious different way. When you combine it with other elements and ways of conveying the story, so that you're you're experiencing it in multiple ways, it really lands. The wedging often reverses the cloak of experience that an audience brings in. You have no what that is, but you've opened a lot of space for them to just channel their own narratives rigt right in there.
Zach Morris, Tom Pearson, and Jennine Willett of Third Rail Projects on caring for the audience, incubating new work, and intimacy versus scale.
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© 2022 Future of StoryTelling, Corp.
Produced by Future of StoryTelling, Corp.
124 West 13th Street
New York, NY 10011
Founder and CEO, Charles Melcher
Executive Producer, Carolyn Merriman
Producer, Sarah Vitak
in collaboration with Charts & Leisure
Founder, Jason Oberholtzer
Executive Producer, Mike Rugnetta
Editor, Garrett Crowe
Mix and Music, Michael Simonelli
With special thanks to Zach Morris, Tom Pearson, Jennine Willett, Bonnie Eldon, Shannon Fanuko, Meghal Janardan, and Megan Worman.