The Hurt Locker, Is That Really Good Art?

"I think that within the, like, within the post 9-11, like production of films, like I think Bigelow's trying to kind of maybe smuggle these ideas in," he says. "There's far too much, then don't make, don't make a movie with the military, like saying it's okay then." He continues: "You do have to, is another part of aesthetic evaluation is like how, how is the part reflective of the whole and if there's like a point?"