Bacon and the Death Camps

Francis Bacon was an artist whose radical generosity teetered on the edge of self-obliteration –– and he sometimes pulled others over the edge with him. Many of our listeners will be familiar with Bacon’s work, or at least would recognise his idiosyncratic style if they saw it; sweeps of fleshy paint across black fields of colour, portraying contorted, mangled bodies, racks of hanging meat, and the iconic screaming mouth. But Bacon is almost as famous for the way he lived his life: his raucous partying, brutal barbed tongue, and love of boozing made him an emblem of London’s bohemian Soho scene. What linked his work and his life was an obsession with violence, something that he knew intimately. 

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Daniel Farson, The Gilded Gutter Life of Francis Bacon (New York: Pantheon Books, 1993)

John Maybury et al., Love Is the Devil: Study for a Portrait of Francis Bacon, Biography, Drama, Romance (BBC Films, British Film Institute (BFI), Arts Council of England, 1998)

Michael Peppiatt, Francis Bacon: Anatomy of an Enigma (Abingdon-on-Thames: Routledge, 2019)

Richard Curson Smith et al., Francis Bacon: A Brush with Violence, Documentary, Biography (IWC Media, 2017)

David Sylvester, Interviews with Francis Bacon, Third edition (New York, NY: Thames & Hudson, 2016).

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.