Exploring Limitations of Early Music Software

The chapter delves into the constraints of early computer software for music, revealing the narrow focus on note sequences and timing at the expense of broader musical expressions like emotion and creativity. It expresses a desire for a more versatile interactive medium, envisioning a world where architects, composers, educators, and users can explore limitless possibilities through accessible tools. The discussion challenges the divide between creators and consumers in technology, emphasizing the importance of pushing beyond conventional boundaries to achieve true innovation.