The original on not the not the minnesota emix, the original new york sessions without the big band. That's the greatest album ever made, in my opinion. What is it in music that you are embarrassed by liking? People ask me that, and i don't inot i don't have guilty pleasures. But to honestly answer your question, i do like certain oasis songs. The final segment of our chat is what i call the alex ross production function. And this has to do with you. A few questions about your history. Did writing a thesis about james joyce at harvard at all influence your music writing and how you approach music?"...
To Alex Ross, good music critics must be well-rounded and have command of neighboring cultural areas. “When you're writing about opera, you're writing about literature as well as music, you're writing about staging, theater ideas, as well as music,” says the veteran music journalist and staff writer for The New Yorker. His most recent book, Wagnerism: Art and Politics in the Shadow of Music, explores the complicated legacy of Wagner, as well as how music shapes and is shaped by its cultural context.
Alex joined Tyler to discuss the book, what gets lost in the training of modern opera singers, the effect of recording technology on orchestras, why he doesn’t have “guilty pleasures,” how we should approach Wagner today, the irony behind most uses of “Ride of the Valkyries” in cinema, his favorite Orson Welles film, his predictions for concert attendance after COVID-19, why artistic life in Europe will likely recover faster than in America, Rothko’s influence on composer Morton Feldman, his contender for the greatest pop album ever made, how his Harvard dissertation on James Joyce prepared him for a career writing about music, and more.
Read a full transcript enhanced with helpful links, or watch the full video.
Recorded August 20th, 2020 Other ways to connect