EP253 | Cinematography: Capturing ARNOLD (w/ Logan Schneider)
In Love with the Process Podcast
00:00
The Effects of Lighting on Skin Tone
We decided anamorphic was too immersive because it was like he were in a movie with him and that was on the right line. So what we ended up doing was from the backlight starting blue, like 6500, wrapping it to 4,600, 3200, and then an eye light at like 2,900. Over the course of all these lights, it pulled out a more natural skin tone in the kind of key area of the space. You'll see it wrap warm into the shadow side. And then we had some make fill, a light connecting the outside to the background just so the, because this is over a year and a half with sunny shade, cloudy, winter
Transcript
Play full episode
