Celeste Composer, Lena Raine
The AIAS Game Maker's Notebook
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Dynamic Music
I asked because the sort of the subtext of my question is that there's a lot of composers, actually a better way to phrase that is composers run the full gamut of opinions on dynamic music. I would put myself where it's like the one thing that really makes games games in terms of game audio or game music. And then there's others who just love the creative exercise of games and really couldn't care less about how it interacts with the game. You have a profound working knowledge of it. How much does that entry into your head? How much does it motivate you?
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