The New Yorker: Fiction cover image

George Saunders Reads Claire Keegan

The New Yorker: Fiction

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The Importance of Reframing

There are several moments in the story where his memory goes fuzzy or, you know, something we just don't hear about. And there's even a couple of places where he says his mind turned to certain difficult ideas. He seems incapable of telling us what they are, which is such an interesting representation of that kind of alcoholic.

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