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Today we summarize the ways in which Nietzsche's politics was influenced by the Ancient Greeks. Nietzsche derives from the Sophists, such as Thucydides, his preference for realism over idealism in geopolitics, and the "practical justice" of examining every viewpoint on its own terms, and according to what would serve the advantage or disadvantage to that perspective. From Epicurus, he derives the "anti-politics" of praising withdrawal from the world, and the intellectual or philosophical class acting based on a pathos of distance in which they remove themselves from mass politics and from quotidian concerns. Finally, he inherits from figures such as Theognis a desire to way a cultural battle against democratic or egalitarian values. Rather than becoming political in terms of practical political action in his own time, Nietzsche sets his sights to the long-term, beyond any one regime, country, or people, and attempts to provide a timeless argument for hierarchy and aristocracy. This is "Nietzsche's Contest" in the philosophical arena: the war for his ideals, which he feels to be the most powerful, most life-enhancing, and thus most deserving in the political sphere, to triumph over the zeitgeist of democratic moralism. Our main sources today are the fragment, "The Greek State", and the essay, "Homer's Contest". This will serve as a kind of recap and conclusion to our focus on the Greeks, bringing an end to this antiquarian section of the season. Next week will serve as a bridge into the political concerns of the Enlightenment, by examining the ways in which one author of Enlightenment Europe, dear to Nietzsche, was influenced greatly by the political history of Rome.
Episode art is Johann Köler - Hercules Removes Cerberus from the Gates of Hell, 1855. Courtesy of Wikimedia Commons.
