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Riz Ahmed on “Mogul Mowgli”

The New Yorker Radio Hour

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i wonder if it when you're making a film like this, which is a kind of auto fiction, what you choose to from life. The biggest embellishment, thank goodness, is that you get so deathly ill here. I think part of what can have got the film to where it is was a desire on basant eric's part to develop a kind of visual grammar of our own. You know, arthur jaffor talks about a black visual intointonation. It's something that calil joseph also talks about. And it was also about incorporating the magical into the day to day because magic, mythology, spiritualitys embedded into our day to day no,

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