Don't stake your reputation on it, which is something that Freeman did. He became like the face of lobotomy in the United States. The press had no way to assess this. It was totally uncritical. There were some critical pieces later, but early on, miracle medicine, which was a very common genre in our own day. And then the third thing is, and I think this goes back to Semmelweis, is how at the, in extremis, you just have to say to yourself, "I got to move"

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