#344 Quentin Tarantino
Founders
Exploring Father Figures in Tarantino's Cinematic Journey
This chapter delves into the impact of Quentin Tarantino's relationship with his father on his filmmaking career. Through insights from Robert Rodriguez, it reveals the personal connections Tarantino embeds in 'Kill Bill,' highlighting how he sought father figures in his cinematic narratives.
What I learned from reading Cinema Speculation by Quentin Tarantino.
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(9:00) Tarantino is possibly the most joyously infectious movie lover alive.
(14:00) On the ride home, even if I didn't have questions, my parents would talk about the movie we had just seen. These are some of my fondest memories.
(14:00) He has a comprehensive database of the history of movies in his head.
(17:00) The Futurist: The Life and Films of James Cameron by Rebecca Keegan and The Return of James Cameron, Box Office King by Zach Baron (Founders #311)
(25:00) Robert Rodriguez interviews Quentin Tarantino in the Director’s Chair
(26:00) Like most men who never knew their father, Bill collected father figures. (Kill Bill 2)
(27:00) When people ask me if I went to film school, I tell them, No, I went to films.
(29:00) Invest Like the Best #348 Patrick and John Collision
(31:00) Tarantino made his own Founders Notes [Comparinig himself and another director] Nor did he keep scrapbooks, make notes, and keep files on index cards of all the movies he saw growing up like I did.
(32:00) Napoleon and Modern War by Napoleon and Col. Lanza. (Founders #337)
(41:00) On Spielberg and greatness: Steven Spielberg's Jaws is one of the greatest movies ever made, because one of the most talented filmmakers who ever lived, when he was young, got his hands on the right material, knew what he had, and killed himself to deliver the best version of that movie he could.
(46:00) I've always approached my cinema with a fearlessness of the eventual outcome. A fearlessness that comes to me naturally.
(51:00) The Big Score: Robert Friedland and The Voisey’s Bay Hustle by Jacquie McNish (Founders #131)
(51:00)
Tarantino's top 8 movies have cost around $400 million to make and made about $1.9 billion in box office sales
Pulp Fiction
$8 million
$213 million
Jackie Brown
$12 million
$74 million
Kill Bill 1
$30 million
$180 million
Kill Bill 2
$30 million
$152 million
Inglorious Basterds
$70 million
$321 million
Django Unchained
$100 million
$426 million
The Hateful 8
$60 million
$156 million
Once Upon A Time In Hollywood
$90 million
$377 million
(58:00) What made Kevin Thomas so unique in the world of seventies and eighties film criticism, he seemed like one of the only few practitioners who truly enjoyed their job, and consequently, their life. I loved reading him growing up and practically considered him a friend.
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“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested so my poor wallet suffers. ” — Gareth
Be like Gareth. Buy a book: All the books featured on Founders Podcast
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