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KATE MCCULLOUGH - Cinematographer

Team Deakins

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The Power of Location in a Documentary

It takes me probably two or three years after the fact of seeing the film to actually kind of start to see it as other people see it. It's quite beautiful. I feel that's reflected in what you do, what you did. You were shooting presumably everything's on location. How important was it your location scouts with the director and discussing your approaches to the different scenes? Yeah,. I know the locations were massive on that film. Like, I think they spent quite a bit of time trying to find the right houses and they weren't really getting anywhere. And then they went around and finally came across these two different houses.

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