Approach to Running the Doc in Improvisation

In this chapter, they discuss their approach to running the doc in improvisation. They emphasize the importance of thinking about the audience and starting with 'we' when performing. They also talk about focusing on something they care about instead of something they're fighting against. They prefer having two sets on opposite sides of the stage rather than two chairs in the middle, as they believe it maintains the energy of the opening. They also discuss the physical aspect of their performance, including changing physical status and how it affects their energy and dynamic.