The Editor's Brain Is the Thing That Constrains You

When we're creating a scene, we need to constrain the scene extraordinarily tightly so that we don't fly off the rails in our own sort of mystical, fun journaling experience. So if you want to become a great basket ball player, you have to constrain your play. We simultaneously top down, bottom up all time. It's when you can bring together the small parts and establish the gistalt whole at the same time.