The main part of the ceiling is divided up into nine different compartments, and these can basically be split into three groups. And using those, he chronologically tells the story of genesis. So all the scenes are oriented towards the priest standing at the altar - who would often have been the pope. Originally it was placed directly underneath the scene of the fall of man. Only as a clergyman could you then go back and experience the increasing purity of creation.
Melvyn Bragg and guests discuss the astonishing work of Michelangelo (1477-1564) in this great chapel in the Vatican, firstly the ceiling with images from Genesis (of which the image above is a detail) and later The Last Judgement on the altar wall. For the Papacy, Michelangelo's achievement was a bold affirmation of the spiritual and political status of the Vatican, of Rome and of the Catholic Church. For the artist himself, already famous as the sculptor of David in Florence, it was a test of his skill and stamina, and of the potential for art to amaze which he realised in his astonishing mastery of the human form.
With
Catherine Fletcher
Professor of History at Manchester Metropolitan University
Sarah Vowles
The Smirnov Family Curator of Italian and French Prints and Drawings at the British Museum
And
Matthias Wivel
The Aud Jebsen Curator of Sixteenth-Century Italian Paintings at the National Gallery
Producer: Simon Tillotson