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#253: Tine Schenck - Building Musical Communities
Music Production Podcast
Is It Worth It?
"It's actually more interesting if there is some aliveness to the music, especially if it is a performance" "If people are worried ot the actual odd peaks, you can put you compressor on the outbus or the stereo at bus. And e, it can likee with a, a hig threshold." 'I just tend to prefer the more dynamic and imperfect,' he says. "'You don't have to do what everyone else is doing in terms of compression or pitch perfection or tempo perfection' I'm not english speaking, but this is all in English," adds the musician.
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