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The Preparation for the 19th and 18th
The lighting on the 19th and 18th had to be built in. The flares are actually, they're real flares that our effects team had made for us to light. So there were three flares crossing the shot at particular time. They all had to be choreographed with the acting action and the camera. In that film, although most of the light is fairly naturalistic, all the day exteriors are just natural light. I did use the biggest light I've ever used on that film, which was the church because the church didn't really exist. It wasn't really a burning church. That was the one time that we used a big lighting unit, which is all Maxi