Chris Carter's The X-Files is weird on its face: a dramatic series that, from the start, presented itself as more than drama, an exploration of the reality of the paranormal using the tools of fiction, a fantasy posing as reality (or is it the other way around?). Strangely prescient, undeniably zany, and truly "hyperstitious," the series is likely to strike contemporary viewers as equal parts naive and prophetic. In this episode, music scholar and Weird Studies assistant Meredith Michael joins Phil and JF for a deep dive into the archival sublime of the filing cabinet marked "X."
To purchase tickets to JF and Phil's December 19th solstice event on Weirdosphere, with live music by Pierre-Yves Martel, to to weirdosphere.org.
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Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
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REFERENCES
Cut-up technique
Phil Ford, “The View from the Cheap Seats at the UFO Show”
Richard Dawkins, Unweaving the Rainbow
Special Guest: Meredith Michael.
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