He couldn't put in the movie because

it didn't make movie sex Yes,

which is not Robert Redford going across the channel. All right, it's it's Because he's going across the channel. It's the fog than the fog lifts and then they get trapped He could use that in the movie But the bravest thing is the guys who have to come after him Yeah, and there is no fog and that was the bravest thing that happened during that entire battle And he couldn't use it because well after Redford did it who wants to see the other stuff I got other shit to do and I

feel like this movie I feel like Nolan's movie Resets the calculus on what you can do in a big battle war movie because it's it's a loss It's a movie about a loss.

Well, I mean one I mean one of the things about it. I mean in its own way It's very Britishness is what makes it so special especially this kind of Britishness attached to this kind of adrenaline Which is not usual. Yeah, right? No coward didn't do this. Yeah, and but yeah, and he's and and and a lot of the British War films seem very very dusty now Tunes of glory the cruel sea. Yeah, you know ice cold analysis still Has a lot of juice but a lot of the the more classic British movies in which we serve seem really dusty compared to the American ones Which seem you know have have just have a little bit more juice

But but one of the things

though is the national identity of the battle movie like for instance Well one of the battle movies.