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The Director Rob Marshall on Halle Bailey as “The Little Mermaid”

The New Yorker Radio Hour

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The New Yorker Radio Hour

The goal for me is that when you see the film you're unaware of any kind of CGI. Even Ariel's costume is all digital. The actors would be on one sort of rig and they would do a couple lines and I'd say cut now we'd have to put them on another rig to do that move. So it was like literally shot in pieces. And also what's there that's real are the people but what's not real is everything around them.

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