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ART OF THE CUT WITH THE EDITORS OF "SEVERANCE" - Geoffrey Richman, ACE and Erica Marker, ACE
Art of the Cut
How to Cut a Scene
Erica: I didn't think really that there was much of a tonal shift in the way it was cut. The cutting patterns were seen by scene. They weren't interior by exterior. Some things are more hectic inside and some things are more chaotic outside. And then obviously since Ben was also a producer, like there wasn't really a distinction between director's cut and producer's cut. There was just a certain point at which we felt comfortable sharing it with other people internally.
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