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Herbert Marcuse's "New Sensibility"

New Discourses

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The History of Art

Art is its own undoing because art becomes art by being ordered, he says. We suggested the historical possibility of conditions in which the aesthetic could become a gelschaftlica,. I didn't say that right, but we're just going to go with it. The outline of such conditions appears only in the negativity of the advanced industrial societies. They are societies whose capabilities defy the imagination. Where else can the rebellion and its uncompromised goals be remembered?

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