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Glass Onion: A Knives Out Mystery Cinematography (with Steve Yedlin ASC) GCS323

Go Creative Show

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How Do You Approach Lighting Really Big Scenes With an Ensemble Cast?

I want to talk about your approach to what lighting and probably filming as well, these large ensemble scenes. How do you not like, I feel like the natural instinct would be a bunch of sync coverage with singles? You don't know what's going on, it also takes forever. And then you think to yourself, okay, well, then maybe a big one or and really block it and have people. Yeah. That makes sense. We actually have a question from, what is that? Karthik Palmer on Instagram. And it's, how do you approach lighting really big scenes with an ensemble cast, like the murder scene in the main for you area with the choking scene?

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