#51 Celeste Headlee: The Dying Art of Conversation
The Knowledge Project with Shane Parrish
How to Compress a Story
There's only so much time in the day. You're not expected to be an expert in um nuclear issues because there's a plant going up in your state. I want to kind of come back to this notion of compressing a story into a short period of time, distilling this complexity. Why? Why do we have that? Why is that the way that journalism should be?
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