Ep 4 | From 'Barbie Girl' to AI: The Road to Post-Humanism and Censorship
Zero Hour with James Poulos
The Soul Patch
I came up in the kind of folk-y movement that started at the end of the noughties like 2007, 2008, 19. I'd never actually heard a banjo before then. And there was a record by Alison Carouse and Union Station called New Favour - it was really high production, bluegrass music. That didn't make sense to me. It probably made as much sense to me as Eiffel 65 did to a cowboy in Texas. But when I heard that stuff, I went out and bought a banjo. So that kind of took me on a little journey. We hear your music, we steal it, we repackage it and sell it back
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