
93 | LIVE Story Workshop From the SLO Film Festival (Plus a Q+A)
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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What's the Most Interesting Part of That Painting?
R i want to dig in a little bit about why you chose a painting we don't see that's an observer as the sort of window the main character. And is i's and sort of what that means to you if i found, conceptionally, an interesting vessel into peering into all these different stories. This is based off real life, a kind of family drama that we have, or had, where em you know, i lived with these paintings. I wasn't directly blood related to the artist so my grandmother married a second time and married an artist.
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